Merely Mary Ann Read online

  Merely Mary Ann

  Израэль Зангвилл

  Israel Zangwill. Merely Mary Ann

  Produced by Al Haines

  MERELY MARY ANN

  BY

  ISRAEL ZANGWILL

  AUTHOR OF "CHILDREN OF THE GHETTO," "THE MASTER," ETC.

  POPULAR EDITION

  LONDON: WILLIAM HEINEMANN

  MCMXIII

  First Impression, September, 1904

  New Impressions, September, 1904 (twice).

  POPULAR SHILLING CLOTH EDITION, 1913.

  The wrapper design is reproduced, by special

  permission, from a painting by Mr. Louis Loeb

  of Miss Eleanor Robson, the original "Mary Ann."

  MERELY MARY ANN

  I

  Sometimes Lancelot's bell rang up Mrs. Leadbatter herself, but far more often merely Mary Ann.

  The first time Lancelot saw Mary Ann she was cleaning the steps. He avoided treading upon her, being kind to animals. For the moment she was merely a quadruped, whose head was never lifted to the stars. Her faded print dress showed like the quivering hide of some crouching animal. There were strange irregular splashes of pink in the hide, standing out in bright contrast with the neutral background. These were scraps of the original material neatly patched in.

  The cold, damp steps gave Lancelot a shudder, for the air was raw. He passed by the prostrate figure as quickly as he could, and hastened to throw himself into the easy-chair before the red fire.

  There was a lamp-post before the door, so he knew the house from its neighbours. Baker's Terrace as a whole was a defeated aspiration after gentility. The more auspicious houses were marked by white stones, the steps being scrubbed and hearthstoned almost daily; the gloomier doorsteps were black, except on Sundays. Thus variety was achieved by houses otherwise as monotonous and prosaic as a batch of fourpenny loaves. This was not the reason why the little South London side-street was called Baker's Terrace, though it might well seem so; for Baker was the name of the builder, a worthy gentleman whose years and virtues may still be deciphered on a doddering, round-shouldered stone in a deceased cemetery not far from the scene of his triumphs.

  The second time Lancelot saw Mary Ann he did not remember having seen her before. This time she was a biped, and wore a white cap. Besides, he hardly glanced at her. He was in a bad temper, and Beethoven was barking terribly at the intruder who stood quaking in the doorway, so that the crockery clattered on the tea-tray she bore. With a smothered oath Lancelot caught up the fiery little spaniel and rammed him into the pocket of his dressing-gown, where he quivered into silence like a struck gong. While the girl was laying his breakfast, Lancelot, who was looking moodily at the pattern of the carpet as if anxious to improve upon it, was vaguely conscious of relief in being spared his landlady's conversation. For Mrs. Leadbatter was a garrulous body, who suffered from the delusion that small-talk is a form of politeness, and that her conversation was a part of the "all inclusive" her lodgers stipulated for. The disease was hereditary, her father having been a barber, and remarkable for the coolness with which, even as a small boy whose function was lathering and nothing more, he exchanged views about the weather with his victims.

  The third time Lancelot saw Mary Ann he noticed that she was rather pretty. She had a slight, well-built figure, not far from tall, small shapely features, and something of a complexion. This did not displease him: she was a little aesthetic touch amid the depressing furniture.

  "Don't be afraid, Polly," he said, more kindly. "The little devil won't bite. He's all bark. Call him Beethoven and throw him a bit of sugar."

  The girl threw Beethoven the piece of sugar, but did not venture on the name. It seemed to her a long name for such a little dog. As she timidly took the sugar from the basin by the aid of the tongs, Lancelot saw how coarse and red her hand was. It gave him the same sense of repugnance and refrigescence as the cold, damp steps. Something he was about to say froze on his lips. He did not look at Mary Ann for some days; by which time Beethoven had conquered his distrust of her, though she was still distrustful of Beethoven, drawing her skirts tightly about her as if he were a rat. What forced Mary Ann again upon Lancelot's morose consciousness was a glint of winter sunshine that settled on her light brown hair. He said: "By the way, Susan, tell your mistress-or is it your mother?"

  Mary Ann shook her head but did not speak.

  "Oh: you are not Miss Leadbatter?"

  "No; Mary Ann."

  She spoke humbly; her eyes were shy and would not meet his. He winced as he heard the name, though her voice was not unmusical.

  "Ah, Mary Ann! and I've been calling you Jane all along. Mary Ann what?"

  She seemed confused and flushed a little.

  "Mary Ann!" she murmured.

  "Merely Mary Ann?"

  "Yessir."

  He smiled. "Seems a sort of white Topsy," he was thinking.

  She stood still, holding in her hand the tablecloth she had just folded. Her eyes were downcast, and the glint of sunshine had leapt upon the long lashes.

  "Well, Mary Ann, tell your mistress there is a piano coming. It will stand over there-you'll have to move the sideboard somewhere else."

  "A piano!" Mary Ann opened her eyes, and Lancelot saw that they were large and pathetic. He could not see the colour for the glint of sunshine that touched them with false fire.

  "Yes; I suppose it will have to come up through the window, these staircases are so beastly narrow. Do you never have a stout person in the house, I wonder?"

  "Oh yes, sir. We had a lodger here last year as was quite a fat man."

  "And did he come up through the window by a pulley?"

  He smiled at the image, and expected to see Mary Ann smile in response. He was disappointed when she did not; it was not only that her stolidity made his humour seem feeble-he half wanted to see how she looked when she smiled.

  "Oh dear no," said Mary Ann; "he lived on the ground floor!"

  "Oh!" murmured Lancelot, feeling the last sparkle taken from his humour. He was damped to the skin by Mary Ann's platitudinarian style of conversation. Despite its prettiness, her face was dulness incarnate.

  "Anyhow, remember to take in the piano if I'm out," he said tartly. "I suppose you've seen a piano-you'll know it from a kangaroo?"

  "Yessir," breathed Mary Ann.

  "Oh, come, that's something. There is some civilisation in Baker's Terrace after all. But are you quite sure?" he went on, the teasing instinct getting the better of him. "Because, you know, you've never seen a kangaroo."

  Mary Ann's face lit up a little. "Oh, yes I have, sir; it came to the village fair when I was a girl."

  "Oh, indeed!" said Lancelot, a little staggered; "what did it come there for-to buy a new pouch?"

  "No, sir; in a circus."

  "Ah, in a circus. Then, perhaps, you can play the piano, too."

  Mary Ann got very red. "No, sir; missus never showed me how to do that."

  Lancelot surrendered himself to a roar of laughter. "This is a real original," he said to himself, just a touch of pity blending with his amusement.

  "I suppose, though, you'd be willing to lend a hand occasionally?" he could not resist saying.

  "Missus says I must do anything I'm asked," she said, in distress, the tears welling to her eyes. And a merciless bell mercifully sounding from an upper room, she hurried out.

  How much Mary Ann did, Lancelot never rightly knew, any more than he knew the number of lodgers in the house, or who cooked his chops in the mysterious regions below stairs. Sometimes he trod on the toes of boots outside doors and vaguely connected them with human beings, peremptory and exacting as himself. To Mary Ann each of those pairs of boots was a personality, with individual h
ours of rising and retiring, breakfasting and supping, going out and coming in, and special idiosyncrasies of diet and disposition. The population of 5 Baker's Terrace was nine, mostly bell-ringers. Life was one ceaseless round of multifarious duties; with six hours of blessed unconsciousness, if sleep were punctual. All the week long Mary Ann was toiling up and down the stairs or sweeping them, making beds or puddings, polishing boots or fire-irons. Holidays were not in Mary Ann's calendar; and if Sunday ever found her on her knees, it was only when she was scrubbing out the kitchen. All work and no play makes Jack a dull boy; it had not, apparently, made Mary Ann a bright girl.

  The piano duly came in through the window like a burglar. It was a good instrument, but hired. Under Lancelot's fingers it sang like a bird and growled like a beast. When the piano was done growling Lancelot usually started. He paced up and down the room, swearing audibly. Then he would sit down at the table and cover ruled paper with hieroglyphics for hours together. His movements were erratic to the verge of mystery. He had no fixed hours for anything; to Mary Ann he was hopeless. At any given moment he might be playing on the piano, or writing on the curiously ruled paper, or stamping about the room, or sitting limp with despair in the one easy-chair, or drinking whisky and water, or smoking a black meerschaum, or reading a book, or lying in bed, or driving away in a hansom, or walking about Heaven alone knew where or why. Even Mrs. Leadbatter, whose experience of life was wider than Mary Ann's, considered his vagaries almost unchristian, though to the highest degree gentlemanly. Sometimes, too, he sported the swallow-tail and the starched breast-plate, which was a wonder to Mary Ann, who knew that waiters were connected only with the most stylish establishments. Baker's Terrace did not wear evening dress.

  Mary Ann liked him best in black and white. She thought he looked like the pictures in the young ladies' novelettes, which sometimes caught her eye as she passed newsvendors' shops on errands. Not that she was read in this literature-she had no time for reading. But, even when clothed in rough tweeds, Lancelot had for Mary Ann an aristocratic halo; in his dressing-gown he savoured of the grand Turk. His hands were masterful: the fingers tapering, the nails pedantically polished. He had fair hair, with moustache to match; his brow was high and white, and his grey eyes could flash fire. When he drew himself up to his full height, he threatened the gas globes. Never had No. 5 Baker's Terrace boasted of such a tenant. Altogether, Lancelot loomed large to Mary Ann; she dazzled him with his own boots in humble response, and went about sad after a reprimand for putting his papers in order. Her whole theory of life oscillated in the presence of a being whose views could so run counter to her strongest instincts. And yet, though the universe seemed tumbling about her ears when he told her she must not move a scrap of manuscript, howsoever wildly it lay about the floor or under the bed, she did not for a moment question his sanity. She obeyed him like a dog; uncomprehending, but trustful. But, after all, this was only of a piece with the rest of her life. There was nothing she questioned. Life stood at her bedside every morning in the cold dawn, bearing a day heaped high with duties; and she jumped cheerfully out of her warm bed and took them up one by one, without question or murmur. They were life. Life had no other meaning any more than it has for the omnibus hack, which cannot conceive existence outside shafts, and devoid of the intermittent flick of a whip point. The comparison is somewhat unjust; for Mary Ann did not fare nearly so well as the omnibus hack, having to make her meals off such scraps as even the lodgers sent back. Mrs. Leadbatter was extremely economical, as much so with the provisions in her charge as with those she bought for herself. She sedulously sent up remainders till they were expressly countermanded. Less economical by nature, and hungrier by habit, Mary Ann had much trouble in restraining herself from surreptitious pickings. Her conscience was rarely worsted; still there was a taint of dishonesty in her soul, else had the stairs been less of an ethical battleground for her. Lancelot's advent only made her hungrier; somehow the thought of nibbling at his provisions was too sacrilegious to be entertained. And yet-so queerly are we and life compounded-she was probably less unhappy at this period than Lancelot, who would come home in the vilest of tempers, and tramp the room with thunder on his white brow. Sometimes he and the piano and Beethoven would all be growling together, at other times they would all three be mute; Lancelot crouching in the twilight with his head in his hands; and Beethoven moping in the corner, and the closed piano looming in the background like a coffin of dead music.

  One February evening-an evening of sleet and mist-Lancelot, who had gone out in evening dress, returned unexpectedly, bringing with him for the first time a visitor. He was so perturbed that he forgot to use his latchkey, and Mary Ann, who opened the door, heard him say angrily, "Well, I can't slam the door in your face, but I will tell you in your face I don't think it at all gentlemanly of you to force yourself upon me like this."

  "My dear Lancelot, when did I ever set up to be a gentleman? You know that was always your part of the contract." And a swarthy, thick-set young man with a big nose lowered the dripping umbrella he had been holding over Lancelot, and stepped from the gloom of the street into the fuscous cheerfulness of the ill-lit passage.

  By this time Beethoven, who had been left at home, was in full ebullition upstairs, and darted at the intruder the moment his calves appeared. Beethoven barked with short, sharp snaps, as became a bilious liver-coloured Blenheim spaniel.

  "Like master like dog," said the swarthy young man, defending himself at the point of the umbrella. "Really your animal is more intelligent than the overrated common or garden dog, which makes no distinction between people calling in the small hours and people calling in broad daylight under the obvious patronage of its own master. This beast of yours is evidently more in sympathy with its liege lord. Down, Fido, down! I wonder they allow you to keep such noisy creatures-but stay! I was forgetting you keep a piano. After that, I suppose, nothing matters."

  Lancelot made no reply, but surprised Beethoven into silence by kicking him out of the way. He lit the gas with a neatly written sheet of music which he rammed into the fire Mary Ann had been keeping up, then as silently he indicated the easy-chair.

  "Thank you," said the swarthy young man, taking it. "I would rather see you in it, but as there's only one, I know you wouldn't be feeling a gentleman; and that would make us both uncomfortable."

  "'Pon my word, Peter," Lancelot burst forth, "you're enough to provoke a saint."

  "'Pon my word, Lancelot," replied Peter imperturbably, "you're more than enough to provoke a sinner. Why, what have you to be ashamed of? You've got one of the cosiest dens in London and one of the comfortablest chairs. Why, it's twice as jolly as the garret we shared at Leipsic-up the ninety stairs."

  "We're not in Germany now. I don't want to receive visitors," answered Lancelot sulkily.

  "A visitor! you call me a visitor! Lancelot, it's plain you were not telling the truth when you said just now you had forgiven me."

  "I had forgiven-and forgotten you."

  "Come, that's unkind. It's scarcely three years since I threw up my career as a genius, and you know why I left you, old man. When the first fever of youthful revolt was over, I woke to see things in their true light. I saw how mean it was of me to help to eat up your wretched thousand pounds. Neither of us saw the situation nakedly at first-it was sicklied o'er with Quixotic foolishness. You see, you had the advantage of me. Your governor was a gentleman. He says, 'Very well, if you won't go to Cambridge, if you refuse to enter the Church as the younger son of a blue-blooded but impecunious baronet should, and to step into the living which is fattening for you, then I must refuse to take any further responsibility for your future. Here is a thousand pounds; it is the money I had set aside for your college course. Use it for your musical tomfoolery if you insist, and then-get what living you can.' Which was severe but dignified, unpaternal yet patrician. But what does my governor do? That cantankerous, pig-headed old Philistine-God bless him!-he's got no sense of the respect a father o
wes to his offspring. Not an atom. You're simply a branch to be run on the lines of the old business, or be shut up altogether. And, by the way, Lancelot, he hasn't altered a jot since those days when-as you remember-the City or starvation was his pleasant alternative. Of course, I preferred starvation-one usually does at nineteen; especially if one knows there's a scion of aristocracy waiting outside to elope with him to Leipsic."

  "But you told me you were going back to your dad, because you found you had mistaken your vocation."

  "Gospel truth also! My heavens, shall I ever forget the blank horror that grew upon me when I came to understand that music was a science more barbarous than the mathematics that floored me at school, that the life of a musical student, instead of being a delicious whirl of waltz tunes, was 'one dem'd grind,' that seemed to grind out all the soul of the divine art and leave nothing but horrid technicalities about consecutive fifths and suspensions on the dominant? I dare say most people still think of the musician as a being who lives in an enchanted world of sound, rather than as a person greatly occupied with tedious feats of penmanship; just as I myself still think of a prima ballerina not as a hard-working gymnast, but as a fairy, whose existence is all bouquets and lime-light."

  "But you had a pretty talent for the piano," said Lancelot in milder accents. "No one forced you to learn composition. You could have learnt anything for the paltry fifteen pounds exacted by the Conservatoire-from the German flute to the grand organ; from singing to scoring band parts."

  "No, thank you. Aut Caesar aut nihil. You remember what I always used to say: 'Either Beethoven--' (The spaniel pricked up his ears.) -or bust.' If I could not be a great musician it was hardly worth while enduring the privations of one, especially at another man's expense. So I did the Prodigal Son dodge, as you know, and out of the proceeds sent you my year's exes in that cheque you with your damnable pride sent me back again. And now, old fellow, that I have you face to face at last, can you offer the faintest scintilla of a shadow of a reason for refusing to take that cheque? No, you can't! Nothing but simple beastly stuckuppishness. I saw through you at once; all your heroics were a fraud. I was not your friend, but your protégé-something to practise your chivalry on. You dropped your cloak, and I saw your feet of clay. Well, I tell you straight, I made up my mind at once to be bad friends with you for life; only when I saw your fiery old phiz at Brahmson's I felt a sort of something tugging inside my greatcoat like a thief after my pocket-book, and I kinder knew, as the Americans say, that in half an hour I should be sitting beneath your hospitable roof."